Why do office workers turn their jobs into a classic novel?
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Eleven at night. You've just finished draft six of the proposal, and you open your phone to scroll. Up comes a post: Xiangzi at a Big Four firm. Scroll on: Granny Liu's first day at a big company, and the Monkey King at his performance review. Work is tiring. So why does everyone borrow classic novels to say so? Let's try a small experiment.
Same day, written twice. Version one: worked till eleven, six drafts, still not approved. Version two: Xiangzi pulled his rickshaw six times today. Each time he came back, the boss said: wrong route, go again. Which one would you forward to a coworker? Most likely the second.
Think of a classic novel as a mooncake mold. Everyone knows the pattern on it. Your day is a lump of dough. Press it into the mold, and out comes a ready-made shape. That mold does three jobs for you.
Job one: a single name does the work of a whole paragraph. Camel Xiangzi was written by Lao She, serialized in a magazine starting in 1936. Today it's required reading in Chinese class for 12-year-olds. Say Xiangzi, and anyone who read it remembers: honest, hardworking, saving up for his own rickshaw, and losing it three times.
Write just his name, and readers fill in the rest themselves: tired, frustrated, all that work for nothing. Job two: the mismatch is the joke. The mold is a rickshaw puller from ninety years ago. What comes out is proposals, weekly reports, and reviews.
Among people who study laughter, the leading idea is this: when what you expect and what you see don't match, you laugh. It isn't the whole story, but it explains a lot of jokes. Job three: told as someone else, the pain sits a little farther away. In 2014, a study at the University of Michigan had people think about something stressful. Those who used their own name instead of "I" felt less anxious.
Writing yourself as Xiangzi works in a similar way: you step back and watch Xiangzi do the suffering. Though that study never looked at novel memes. And the mold keeps changing. In 2012 it was talking like a palace drama. In 2020, "dagongren" and "Versailles literature" made the Chinese buzzwords of the year list. Now it's Xiangzi and Granny Liu's turn. The workplace account at Xiaohongshu even runs a campaign to collect them.
So office workers borrowing the classics aren't showing off. They're borrowing a character everyone knows, to sigh on their behalf. This week at work, which character were you?
Same day, written twice
It's 11 p.m. You've just finished draft six of a proposal, and on Xiaohongshu (a popular Chinese lifestyle app) you scroll past "Xiangzi at a Big Four Firm." Scroll on: Granny Liu's first day at a big company, and the Monkey King at his performance review. All three are characters from classic Chinese novels.
A classic novel is a mooncake mold
Everyone knows the pattern on the mold. Your day is a lump of dough: press it in, and out comes a ready-made shape.
(Mooncakes are pressed in carved wooden molds for the Mid-Autumn Festival.) That mold does three jobs for you.
Three jobs the mold does
Job two: among people who study laughter, the leading idea is that we laugh when what we expect and what we see don't match. It isn't the whole story.
Job three: in a 2014 University of Michigan study, people thinking about something stressful felt less anxious when they used their own name instead of "I."
Who is Xiangzi, and why does everyone know him?
Camel Xiangzi was written by Lao She and serialized in a magazine from 1936. Today it's required reading in Chinese class for 12-year-olds.
Xiangzi is honest and hardworking. He saves up to buy his own rickshaw, and loses it three times. Say "Xiangzi," and anyone who read the book thinks of a man who worked hard for nothing.
The mold keeps changing
One thing nobody has proven yet
Quick check
Why do office workers love rewriting their jobs as Camel Xiangzi?
A classic is a mooncake mold: everyone knows the pattern, so your day pressed into it instantly reads as tired and wasted.


